Naked guns and forbidden planets

Leslie Nielsen has died, aged 84.

The Canadian-born Nielsen’s career was long and interesting. Before his roles in Airplane!, The Naked Gun and a hoarde of similar spoofs, the actor had been a familiar face on TV in straight roles. It’s always nice to see him in that first part of his career, his dead-pan delivery sometimes seeming like a warm-up for the part of Lt. Frank Drebin. Of course, he was perfect as the bumbling cop, happily spoofing the innocence of an earlier age of TV heroism.

Nielsen’s CV reads like a roster of important American genre television: Suspense, The Web, Rawhide, The Untouchables, Thriller, General Electric Theatre, Naked City, Alfred Hitchcock Presents, Route 66, The Fugitive, Wagon Train, The Defenders, Voyage to the Bottom of the Sea, Peyton Place, Ben Casey, Bonanza, The Man fron U.N.C.L.E., M*A*S*H, Hawaii Five-O, Kojak, Columbo

The connection between the two phases of Nielsen’s career becomes really clear if you put the title sequences of Police Squad! and M Squad side by side!

Here’s two little known Nielsen facts: his brother Eric was at one time the Deputy Prime Minister of Canada, and Leslie was considered for the Jack Nicholson part in The Shining. Crikey.

I think I’ll pay tribute to Mr. Nielsen by watching his turn as the misguided Gen. Maximilian Harmon in the last ever Man from U.N.C.L.E. movie: How to Steal the World.

Peter Graves in The Underground Man

There’s never been a really satisfactory filmed version of Ross Macdonald’s Lew Archer novels. In the past, I’ve blogged about Paul Newman’s performances in Harper, The Drowning Pool and Twilight (here and here). Less well known are the TV movie and short-lived series based on the character, produced in the 1970s.

Peter Graves (Jim Phelps in Mission: Impossible) took the part of Archer in a 90-minute adaptation of The Underground Man in 1974. Tom Nolan’s biography of Macdonald records that the author was impressed with Graves’ interpretation.

“In thirty years of writing about Lew Archer, I never thought much about how he looked,” Macdonald told the LA Times. “Except that he was Californian, tanned, athletic. Then one night a few years ago, I saw Peter on Mission: Impossible and thought, ‘That’s Lew Archer; that’s the way he looks.’ It was really quite eerie when I was told Peter was playing Lew, because I had nothing at all to do with the casting.”

However, NBC showed no interest in picking up the pilot. Those who’ve seen the film tend to criticize Douglas Heyes’ screenplay, which fiddled with Archer’s character and compressed the plot. Macdonald later observed, “Paramount spent a lot of money on it, and hired some good actors, but the script seemed rather obscure and hysterical.”

Still, on the evidence of the video below, it looks like an interesting failure. It has an outstanding guest cast: Dame Judith Anderson, Vera Miles, Jack Klugman, Celeste Holm and Sharon Farrell are all actors I like to see onscreen. Though it’s difficult to get much sense of Graves’ performance from this clip, he seems to be playing Archer as a quiet, thoughtful listener. Much closer, then, to the character of the novels than Paul Newman’s cocky Lew Harper.

Most of all, I like the melancholic tone set by Marvin Hamlisch’s score. It’s a haunting, wistful melody that very effectively conjures the sense of yearning so distinctive to Macdonald’s work. Twenty-four years later, Elmer Bernstein would write a similar theme for Robert Benton’s Twilight, an Archer film in all but name.

I’m going to have to get hold of a copy of The Underground Man to satisfy my curiosity. There seem to be a few DVD-Rs knocking about on the net (though sadly, none of Brian Keith’s six-episode series Archer, which I’d also like to see). When I do get a copy, I’ll be sure to review it for Squeezegut Alley. Until then, if any of you remember this film, do get in touch!

Sherlock Holmes 2

Some set photos have been appearing for Guy Ritchie’s sequel to Sherlock Holmes, so I thought I’d post them and get your opinions.

with Noomi Rapace

I was surprised by how much I enjoyed the first film. The relationship between Downey Jnr and Law was nicely pitched and the script was very confident at translating Sherlock Holmes into an action movie franchise. Granted, there were some longeurs and, predictably, the action sequences were sometimes too enthusiastically brutish. Still, I thought it worked well as a comic spin on Conan Doyle. In many ways, it reminded me of Without a Clue.

I’m pleased to see that Holmes and Watson are getting out into the countryside this time. So far all we know is that this film introduces Stephen Fry as Mycroft and Jared Harris as Moriarty. There have also been rumours of location shoots in Austria – doubling for Reichenbach, perhaps?

Well, over to you. Are you looking forward to this next installment of the franchise, and what do you make of these photos?

Happy Birthday Doctor Who!

If you’d been scanning the Radio Times on the 23rd November 1963, you might have noticed this item:

It’s difficult to imagine how strange this programme must have seemed on its first broadcast. While Nigel Kneale’s Quatermass had paved the way for science-fiction broadcasting, those serials insisted on a knowable reality, a quantifiable world that could be righted.

What’s notable about the first years of Doctor Who is their frightening unpredictability. Poor Ian and Barbara are abducted by a mysterious time traveller (“Doctor who?”) who offers no assurance that they will ever be returned. In those early episodes, he is as much a danger to them as the monsters they encounter.

That sense of undefinable terror extends to the pioneering title sequence which, unlike the more literal examples of recent years, is visually experimental and utterly mesmerising. Set to Delia Derbyshire’s electronic rendering of Ron Grainer’s score, it’s a TV opening unlike any other.

Doctor Who was very important to me as a child growing up. I can dimly remember seeing some of the late Sylvester McCoy’s on their first broadcast – Battlefield, Curse of Fenric and Survival. Just my luck, as soon as I got interested in the show, it was cancelled! But there were still the Target novelizations to read and the BBC began bringing out the old serials on VHS, so that I soon amassed quite a collection!

The first Who book I ever read...

...and the first VHS I bought!

While I disliked Russell T. Davies’ conception of Doctor Who, I’ve become re-enthused by the episodes produced by Steven Moffat. I really do think that Matt Smith is a great Doctor, and I’ve got a feeling that the best is yet to come!

Happy Birthday, Doctor Who!

 

 

Write a Mystery!

It’s a story from fairy-tale. An apartment uninhabited and untouched for 70 years, full of the most wonderful art treasures. The rent paid every month by some mysterious benefactor. And when experts entered this cobweb-filled flat, situated between Pigalle and Opera, they described it as “like stumbling into the castle of Sleeping Beauty”.

Some of the contents of the mysterious apartment

Most striking of all was a gorgeous 19th century painting of a woman in pink muslin. Even under the accumulated dust, it stood out as something really special. A few days later, it was identified as the work of Giovanni Boldini, a study of his muse the actress Marthe de Florian. The painting has since been sold for €2.1 million. (You can read more about the facts of the case here.)

Painting by Boldini

Yvette, over at In so many words…, has found herself intrigued by the romance of the story. In that spirit, she has suggested a fun short story challenge. I’ll hand over to her to explain the rules:

“Write a short story of 1500 words or less that solves or explains the Mystery of the Giovanni Boldini Painting discovered recently, after 70 years in a dusty un-lived-in apartment in Paris. Use any genre you like. Make up your own title. Read the outline of the actual story here then fire up your imagination and write what you think might have happened. Change the names of the people involved, of course, we don’t want any law suits.

Intrigue in Paris. It should be a lot of fun to write.

The deadline is February 14th. What happens then? We’ll post the stories on our blogs, link them to each other, read them, talk about them and marvel at our ingenuity. We’ll vote on the Best All-Around Story, Best Title and Best Solution.”

As a prize, Yvette will design and draw an award badge for you to post up on your blog as the proud winner! I think this sounds like great fun, something to mull over during the Christmas holidays. I’m definitely going to be writing an entry and you should too! If you’re joining in, spread the word on your blog, and use the badge at the top of this post.

Get scribbling, all you budding crime writers!

Studies in Sherlock #7

I meant to write this up last week, but other stuff has got in the way. Anyway, while I’ve lost a bit of momentum with my Studies in Sherlock, I do want to conclude them in the way that I intended.

So, Moriarty… This reconception of the character has definitely been the most controversial aspect of the series. It really affected my enjoyment of The Great Game, and unfairly biased me against other aspects of that episode. Looking back now, I retain my reservations but have less of the jaw-dropping astonishment at Andrew Scott’s gurning campy “Jim”. The following series of screencaps illustrate the broadness of Scott’s performance (screencaps thanks to Cementville).

While many fans seem to have accepted and enjoyed the new version, I disliked the episode’s cynical invitation to “ship” Sherlock and Jim. I had a similar objection to the way this was done with David Tennant and John Simm in Doctor Who. I’d argue that, in this respect, both shows are pandering to their fans rather than challenging them. In fairness, some of these aspects have been interpreted differently in an excellent essay by Matt Hills on the subject.

I think my friend Alex put his finger on the strangest aspect of this reimagining. While Moffat and Gatiss have insisted in interviews on the affinity between their update and the Conan Doyle stories, their Moriarty bears no resemblance to the original character. He destroys the logic of the show. Far from being a shadowy presence, here he seeks the detective’s attention. And I think that by making him a fan of Sherlock, he becomes less complex. Moriarty is frightening when he towers above Sherlock, not when he is following him.

New Tricks Season 7 Overview (part 2)

Roisin Muldoon reviews the latest exploits of Sandra and the boys. For part 1, click here!

Episode Six, Fashion Victim, had clearly been inspired by the deaths of Alexander McQueen and Gianni Versace (strange that papers always refer to McQueen as Lee Alexander McQueen but it’s never Giovanni Versace). I really enjoyed this episode, partly because it was so silly. The premise involved the team reinvestigating the murder of fashion designer Ritchie Levene, the case being reopened at the insistence of his ex-wife. I was delighted by the appearance of Peter Wight, better known as Nige from Early Doors as one of the episode’s guest stars. Sadly there was no sign of Phil, but you can’t have everything I suppose! The mystery element wasn’t the best, but this episode excelled in putting the boys into an unfamiliar situation, and in putting Gerry into posh clothes to impress Levene’s attractive ex-wife.

Favourite moment: A tough one again. There’s a lot to be said for Brian’s turn selling clubwear on a market stall, but I think this needs to go to Jack for his scathing put down of Gerry’s new look.

Gerry: What do you think? Tasty, eh?

Jack: Don't tell us. You've met some scrubber and you're trying to impress her.

Episode Seven, Where There’s Smoke, saw the team back on more serious cases – this time an arson attack on a club in 1996. The death of major criminal Mark Johnson meant that the original investigation stalled as nobody wanted to talk. Roy Marsden was an excellent guest star, playing retired fire investigator George Mackie. I have to admit, if this mystery had been played out in Lewis I would have been deriding it as lame, because it wouldn’t work in the 90 minute format. It does work here, however. I enjoyed the subplot of Jack attempting to deliver a lecture on serial killers, which somewhat predictably gets derailed by Brian’s pedantry. Still, it is this pedantry that leads to a breakthrough in the case and highlights how modern corporate thinking is inferior to imaginative policing.

Favourite moment: Jack’s lecture. Not because it’s on serial killers, but because of the argument he gets into with Brian over who has done the most killings – Dennis Nielsen or George Peter Lee.

Episode Eight, Coming Out Ball, included a character that would normally have infuriated me – the former republican terrorist turned politician. In this episode, however, I think it worked well enough and I enjoyed Ian McElhinney’s slimy Fintan MacEntee.

Not at all impressed by MacEntee!

The mystery centred on the disappearance of Barbara Linden-Warner at her coming out ball in 1983 – at the time it seemed she had been abducted by a republican group. This episode did really well at sketching society life in 1983; obviously one of the writers has been reading their Julian Fellowes! Sian Phillips and Annette Crosbie were marvelous guest stars and while the mystery wasn’t exactly surprising, it wasn’t obvious either. The episode ends on a rather strange note, as we discover the reason for Sandra’s reluctance to attend her high school reunion – she was the school bully.

Favourite moment: A low-key one this time. I was moved by the conversation between Jack and Lady Elizabeth on the nature of loss.

In Episode Nine, Gloves Off, the team reinvestigated the mysterious death of a young boxing champion. I solved the mystery element reasonably early but there were still a few twists to keep me entertained! In fact, I would argue that this episode was the best of the series. It had an excellent balance of humour – Brian and Gerry fighting over whether or not boxing is barbaric was particularly enjoyable, and Sandra got some fantastic one-liners. There was also a satisfying continuation of the joke about Gerry’s car being rubbish! Moreover, this episode looked intelligently at the difference in the priorities held by Jack and Sandra. When the gun used to kill Eddie Mayfair turned up in the hands of small-time crook Nick Kellogg, Jack has no qualms in threatening Kellogg to extract information from him. Jack later tells Eddie’s killer – the brutal underworld armourer Danny Branston – that Kellogg grassed him up. This lie, we’re to understand, places Kellogg’s life at risk. Jack and Sandra clash over this, with Jack holding firm that it was the right thing to do to deflect suspicion from Branston’s abused wife, Eve. It’s a small moment, but gives the viewer insight into both Jack and Sandra.

Favourite moment: Jack interviewing Nick Kellogg in prison, and his later interview with Danny Branston. I always like it when he gets a bit badass!

Jack Halford: Badass

The final episode, The Fourth Man, is in many ways the weakest of the series but there’s still a lot to like. The team are asked to investigate a 30-year old safety deposit robbery and it soon becomes clear that they’re looking at police corruption. In this case, right from the top – Deputy Assistant Commissioner John Felsham. John Shrapnel turns Felsham into an excellent cartoon style baddie, and he swiftly closes down the X-Files. I mean, closes UCOS. The boys have been watching The X-Files, however, and continue to investigate the case as concerned citizens. I was continually irritated by the presence of Phil Daniels as Flying Squad detective Frank Patterson. He’s a bad actor, and his character struck me as unnecessary. To balance this up we got lots of Strickland and I was relieved to see that the writers seem to know what they’re doing with the character again. He was badly written for most of series 6, but Strickland is a great character and he is extremely well-played by Anthony Calf.

Favourite moment: Easy. When confronting Felsham in his office, Strickland’s anger shows through. When Felsham demands that ‘this woman’ (Sandra) be removed from his office, Strickland isn’t having any of it. More Anthony Calf, please!

Strickland about to break bad!

So, overall this was a really strong series for New Tricks. The writing showed a marked improvement on series 6 and I put this down to the increased contribution from the show’s creator, Roy Mitchell. It would have been easy to tread the same ground but this series introduced lots of new ideas and the variety of cases kept it interesting. I eagerly await series 8!

New Tricks Season 7 Overview (part 1)

Roisin Muldoon considers the latest from UCOS…

I have long been promising to write a guest blog for Nic on the subject of one of my favourite detective dramas, New Tricks. As series 7 came to a close last Friday night, I thought it time to finally make good on my promise and so I present to you an overview of series 7. It isn’t fashionable to like New Tricks, but I love it. In my house my collection of New Tricks boxed sets sits proudly next to more respected shows such as The Wire or Mad Men.

After a slightly disappointing and uneven sixth series, I was unsure of what to expect from series 7. I confess, I had started to wonder if it was time for these old detectives to hang up their shields and hand in their blockbuster cards.

Episode One, Dead Man Talking, assuaged some of my doubts. The UCOS team investigated the suspicious death of a wealthy financier on the insistence of his daughter, who was taking advice from a dodgy psychic. Sceptical of Sebastian Carter’s claims, the team were keen to expose him as a fraud but this was complicated by Carter’s seeming insight into Pullman’s complicated family issues. Dead Man Talking contained some elements similar to the Sherlock episode The Blind Banker – mysterious Oriental women, sinister dealings in back rooms in Chinatown and gang members and Nic has already pointed out that this episode was half as long and twice as enjoyable.

Favourite moment: When James Bolam’s Jack Halford goes all Columbo to solve the mystery, making up a black box with gold lacquer to catch Penny Anderson out. It’s a blink and you’ll miss it moment, but it really made me laugh.

I was excited to see Anne Reid guest-starring in Episode Two, It Smells of Books. New Tricks was on more familiar territory here, with a lot of shenanigans surrounding Brian’s new obsession with his London Library membership.

The episode appeared to be commenting on the commercialisation of education as the plot centered around the fictional London Municipal University, which was closing its library in an attempt to make more room for profitable degrees such as Law and Economics. The mystery itself was reasonably pedestrian but I thought the idea of the murder victim having hidden a priceless book in a library to be very satisfying.

Favourite moment: Just because it genuinely frightened me – the unscrupulous Dr Jeremy Ventham attempting to trap Brian in the sliding stacks in the London Library Basement. It was very creepy!

Episode Three, Left Field saw the team investigating the case of a missing five-year-old, Yasser Gorton-Blackledge. When a notorious paedophile confesses to the child’s kidnap, the case seems open and shut, but where would the fun be in that?! Doon McKichan is an excellent guest star and red herring. Like the series 3 episode, Dockers, Left Field takes a look at a political movement and considers the effect the political has on the personal. Brian and Gerry spend some time in the MI5 headquarters reading surveillance files and, of course, Brian becomes paranoid about his past political involvements and whether he is being watched. Happily, this episode also featured appearances by Anthony Calf as DAC Strickland and the marvelous Susan Jameson as Esther Lane.

Favourite moment: I was genuinely a bit torn here. Brian becoming convinced that he is under surveillance was pretty funny, but I think the best line in the episode belonged to Gerry. Being confronted by the odious chauvinist Fred Blackledge, and being labelled a ‘mangina’ Gerry retorts: “If that makes you a man, and me a mangina, then book me in for a Brazilian!” God bless the BBC for putting the word ‘mangina’ in Dennis Waterman’s mouth. Pure comedy gold.

Gerry Standing: Mangina

In Episode Four, Dark Chocolate, things take a slightly darker turn as the team investigate a series of rapes in a chocolate factory after the serial rapist strikes again. I was deeply impressed by how subtle the writers were in portraying the effect the attacks had on the women who survived them. Moreover, the episodes highlighted that rape is a crime of violence and not sexually motivated. The crime was solved, not by advances in technology, but by the team’s ability to remember past cases. Mixed in with the darker elements in the storyline was some humour, and Gerry getting caught in the factory production line was slapstick at its finest. I could have done without the comedy pathologist, however.

Favourite moment: The capture of the rapist – foiled in his attempts to get away by being tripped up by Gerry.

In Episode Five, Good Morning Lemmings, the team investigate the unsolved murder of a Banksy-esque figure, grafitti artist Danny ‘Flak’ Tyler. There is some overlap with BBC’s Sherlock, again. The episode guest stars Hadyn Gwynne (who appears in The Great Game) and both shows make some attempt to portray the grafitti community. Whereas Sherlock‘s attempts at a Banksy figure in The Blind Banker were just risible, here they are merely silly. New Tricks is often at its best when it shows the old boys attempting to get to grips with the modern world, and Good Morning Lemmings is no exception. Brian has joined Twitter, as TopCop999 and his growing obsession with tweeting is ridiculous and hilarious (‘cop is in my DNA’).

On my way in this morning, I played a game...

It also gives Dennis Waterman ample opportunity to do silly voices and faces as Gerry mocks Brian’s obsession. Good Morning Lemmings is notable also for an excellent appearance by the late, and much missed, Simon McCorkindale. It’s also a good episode for Sandra’s general fabulousness.

I want these sunglasses...

...and an appointment with her stylist.

Favourite moment: I’m torn again. Jack’s posh voice at the fancy art gallery is pretty hilarious but Sandra Pullman wins. When Gerry is worried that his classic car will be unsafe when parked in a shady area, she shoots him down. “Gerry, it’s a pile of shit.”

Read part 2 here!

Sherlocking fan fiction

(Sean and Liz over at Sherlocking have been running a fan fiction contest. Their only rule – all stories submitted had to be under 1000 words! Here’s my entry. Please feel free to let me know what you think!)


THE SINGING OF THE SEA

I’d been crouched in the freezing cold for three hours. The wind had chilled my ears into memories. My sole comfort was the sweeping beam from the lighthouse, which seemed to batter the driving rain back from the coast. I stamped my feet and wondered again how Sherlock had talked me into this vigil.

“Take note of everything, John,” he’d instructed, “and be careful! One man has died already.”

I was about to give up when I heard the click of high heels. She passed by me, huddled forward into the wind, and disappeared into the darkness. I strained my ears to hear over the roar of the wind and the sea.

Suddenly there was a scream, a low inhuman moan that rose into a frantic banshee wail. It had found her. She hadn’t exaggerated. Whatever it was, it was real. Then it was upon me, its claws tearing at my clothes and my throat. I twisted away, and with a thrill of terror found myself stepping into the void. The rail had broken. I was falling, and all I could think was I’d never know my killer.

I was going to die…

 

Four hours earlier, Sherlock and I had climbed down to the beach at Dungeness to examine a corpse. Above us, the power station towered over the coastline, a space station on an alien landscape. As we passed under the police tape, Sherlock gestured around us.

“I’m no poet, John,” he said gloomily, “but this is a landscape made for madness.” It was a disturbing thought with which to preface our examination. The young man in the duffel coat was lying face down in the surf. His head was caved in.

“Condition’s consistent with having been in the water all night,” I said. “The cuts and bruises on the face and hands will have been sustained in the undertow.”

Williamson, the lighthouse-keeper who’d reported the body, ventured an opinion, “Makes sense. It’s shingle all along this coast.”

Sherlock raised a sardonic eyebrow. “Thank you. What do you make of these cuts, John?” He pointed towards some distinctive wounds. “The skin appears to have been hooked and pulled.”

“My God, Sherlock,” I muttered. “ You don’t think this poor devil’s been caught on a fishing line, do you?”

“I know where he was thrown in…” said Sherlock, pointing up at the power station.

 

 

In a glass-fronted office looking down at the generator room, the Right Hon. Violet Smith fiddled with the ornaments on her desk.

“Mr. Holmes,” she said, “I assure you that no-one is missing from my power plant. We’re running at optimum efficiency. Indeed, the government’s generous provision has guaranteed our future for some time.”

“Then why are you asking your employees to work double-shifts?” I asked. I’d noticed a sign on the notice-board in the lobby. Sherlock shot me an impressed look.

“Just about to ask the same thing,” he claimed. Liar.

 

Unsurprisingly, the politician’s story had been untrue. The dead man was Charlie Carruthers, her accounts manager. Many of her employees had been refusing to turn up to work after being harassed by a mysterious assailant.

“All of these attacks have taken place at night,” she explained, leading us out of the power plant. “You see, my workers have to cross this walkway to get to the car park. Many have heard a bizarre scream, like a tormented soul calling out from the water. You know that many ships landed here in the old days in order to avoid the customs men? The locals claim to have seen phantom ships in the beam of the lighthouse.”

“This is a human agency, Miss Smith,” said Sherlock severely. “No ghosts need apply.”

 

We stood out on the clifftop walkway, a single rail separating us from the rocks below. With the hum of the generator behind us, and the scream of the wind in our face, it seemed like nature itself was promising our destruction. I imagined the tempest plucking our corpse from the gantry and tossing him down onto the rocky fangs below. A shudder ran through me and, as though reading my thoughts, Sherlock laid a hand on my shoulder.

“Light at the end of the tunnel, John,” said he. “Look at this!”

He had stooped to examine the railing with his lens. Through it, I could see deep irregular scratches, bright and fresh. Sherlock smiled and shouted into the wind, “Our monster begins to take shape!”

 

The lighthouse was dark and cold but still a relief after my ordeal in the rain. Somehow I had snatched at the gantry as I fell, so that I landed on silt rather than the rocks. I took the stairs three at a time.

At the top of the lighthouse, Sherlock was standing tense, his arm outstretched. Williamson the lighthouse keeper was outside on the gallery, upon which perched a large sea-bird.

“I didn’t mean for that lad to die,” Williamson was saying. “I just wanted to scare off the suits from London. That nuclear waste is killing everything around here. We don’t want it!”

Slowly, Sherlock was edging towards him. “So you trained this cormorant to swoop down at employees during the night? Bit Scooby Doo of you, wasn’t it?”

Williamson hung his head in shame. “You get some funny ideas up here on your own.” He smiled ruefully. “I would have gotten away with it if it weren’t for you pesky kids.”

Sherlock reached forward, catching Williamson’s arm. Without a struggle, the lighthouse keeper stepped back in out of danger. Behind him, the cormorant croaked and flew off into the storm.

“One of our failures, John,” said Sherlock as he watched the winged murderer disappear. “Carruthers’ killer escapes and we have a story that no-one will believe.”

I looked out into the inky blackness, following the light around as it cut through the sky. Shivering, I remained in that windswept beacon as Sherlock guided Williamson down the steps.

The Jon Pertwee Cookbook

Thanks to Life, Doctor Who and Combom for clearing up a little mystery from my youth. When I was a wee nipper, my grandma used to have a cookbook in her kitchen which fascinated me. She must have had it for about 20 years because it was endorsed by Jon Pertwee, the Doctor Who of the early 1970s. In recent years, I’ve tried to find out the name of the recipe book. Well, here it is!

I don't imagine Jon really spoke like this

It might seem strange to see Matt Smith on a cookbook today, but Pertwee makes perfect sense. After all, the Third Doctor could often be seen sipping a glass of fine wine or chomping on a sandwich while fencing with some villain. That’s why Jon Pertwee is the best Doctor Who – he’s not just an adventurer, he’s a gourmet adventurer in a cape.

Pertwee’s wife Ingeborg brought out her own cookbook as well. I’ve got it in my kitchen but have yet to try some of the recipes. Probably best sampled while watching Spearhead from Space!